The Model - The Beauty Download |LINK|
The study consisted in analyzing the features that make legs look attractive. The legs of models in magazines were scanned and inserted into a PowerPoint program. The legs of live models, Barbie dolls, and athletes were photographed. Artistic drawings by Leonardo da Vinci were reviewed and Greek sculptures studied. Sculptures from the National Archaeological Museum of Athens were photographed and included in the PowerPoint program.
the Model - The Beauty download
Three groups of models were analyzed: models from different ethnic groups, Barbie dolls, and athletes. The author also analyzed two groups of artistic models: drawings by Leonardo da Vinci (the Vitruvian Man) and Greek sculptures (photographs taken at the National Archeology Museum of Athens).
As we can draw no conclusion from the study of a single group (models), the author included a completely different group in the study: legs of athletes. The legs of the famous Brazilian football player Ronaldo were also analyzed (Fig. 5).
Finally, it was important to analyze the legs of Barbie dolls (Fig. 6a, b). Indeed, since its introduction in 1959, the Barbie doll became for the first time a model for young children, and sometimes even for adults.
The first common denominator of all attractive legs is their straightness (Fig. 9). Attractive legs are straight and in continuity with the thighs. As soon as the leg column departs from the straight axis (genu valgum or genu varum), it deviates from our perception of beauty (Fig. 10). This is probably one of the reasons why long, straight, and slender legs are considered especially attractive. Our sense of aesthetic harmony is intensified by the blending of fragility, represented by thinness, and strength, represented by straightness. The straightness of the legs of models who advertise leg stockings and lingerie is notable (Fig. 11). Absolute straightness is fundamental to our perception of attractiveness. This straightness is found on the legs of the Barbie doll. It is interesting to note that some Barbie dolls are manufactured with extremely thin legs and no curves whatsoever and other Barbie dolls are manufactured with more voluminous, smooth, and gentle curves in their legs. However, in both cases, the leg column is absolutely straight and in sharp continuity with the thigh (Fig. 6).
The first common denominator of all attractive legs is their straightness. Attractive legs are straight and in absolute continuity with the thighs. As soon as the leg column departs from the straight axis (genu valgum or genu varum), it deviates from our perception of beauty
For didactic purposes and to move from a subjective observation to a more scientific analysis, the author called upon geometry. The legs were divided into thirds (Fig. 14). It was found that all the models have a medial convexity that straddles the upper and middle third (the lower half of the upper third and the upper half of the middle third), while the lateral convexity stretches along the upper and middle thirds (Fig. 14). Thus, the medial and lateral convexities of the legs are fundamentally asymmetric. From the side view, the posterior convexity occupies the upper two thirds of the leg, just like in its lateral aspect. The anterior leg is an almost straight line (Fig. 15).
For didactic purposes, the legs are divided into thirds. The medial and lateral convexities of the legs are fundamentally asymmetric. All the models had a medial convexity that straddles the upper and middle third while the lateral convexity stretches along the upper and middle thirds
During a visit to the National Archaeology Museum of Athens, the author observed sculptures that depict the ideal human form of those ancient times (Figs. 19, 20). Some of them were dated back to 2000 BC (Zeus and Poseidon). The shape and distribution of the curves of such ancient legs are exactly the same as those of men and women models today! (Fig. 20).
Art historians as well as theorists of the Divine Numbers agree that the Golden Ratio is inherent in every work of art considered beautiful. This ratio ultimately describes the absolute and unique beauty. To understand and interpret beauty, one must return to the basics: the Pythagoras-Platonic heritage contained in the works of Euclid .
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InVEST is a suite of free, open-source software models used to map and value the goods and services from nature that sustain and fulfill human life. If properly managed, ecosystems yield a flow of services that are vital to humanity, including the production of goods (e.g., food), life-support processes (e.g., water purification), and life-fulfilling conditions (e.g., beauty, opportunities for recreation), and the conservation of options (e.g., genetic diversity for future use). Despite its importance, this natural capital is poorly understood, scarcely monitored, and, in many cases, undergoing rapid degradation and depletion.
We repackaged the same InVEST models in a new user interface that we are calling the InVEST Workbench. You get all the same functionality with the Workbench as with the "classic" desktop application. We hope the Workbench will be more accessible and more extensible to future enhancements. For now the classic application is also available, but the Workbench is the future of InVEST.
InVEST models are spatially-explicit, using maps as information sources and producing maps as outputs. InVEST returns results in either biophysical terms (e.g., tons of carbon sequestered) or economic terms (e.g., net present value of that sequestered carbon).
InVEST models are distributed as a standalone application that is independent of a GIS software. You will need a mapping software such as QGIS or ArcGIS to view your results. Running InVEST effectively does not require knowledge of Python programming, but it does require basic to intermediate skills in GIS software.
A fervent yoga enthusiast and former model Gisele Bündchen is now bringing her expertise in the area to fans in quest of well-being by providing a simple introduction to meditation through a partnership with the Insight Timer application.
In 2015, Gisele Bündchen put an end to her career as a model on the catwalks, embracing a very healthy lifestyle, both in terms of diet and practices based on attaining harmony of body and mind. Meditation and yoga are now an integral part of the daily life of the 40-something star who is often referred to as the priestess of well-being.
BEAST is a cross-platform program for Bayesian analysis of molecular sequences using MCMC. It is entirely orientated towards rooted, time-measured phylogenies inferred using strict or relaxed molecular clock models. It can be used as a method of reconstructing phylogenies but is also a framework for testing evolutionary hypotheses without conditioning on a single tree topology. BEAST uses MCMC to average over tree space, so that each tree is weighted proportional to its posterior probability. We include a simple to use user-interface program for setting up standard analyses and a suit of programs for analysing the results.
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It is a dream for a model to work with Sports Illustrated. You broke barriers in this year's Sports Illustrated Swimsuit issue being the first model to highlight your c-section scar, which has never happened in the magazine's 58-year history. Along with being one of these year's most talked about swimsuit models. Tell us more about this spectacular achievement of yours.
Common processes underlying the effects of exposure to unattainable beauty standards and their regulation are currently poorly understood. The present study therefore investigates the impact of this exposure on executive inhibitory control. Between two blocks of a semantic Stroop task, seventy-two healthy young women were exposed to pictures of a thin beauty model (vs control pictures). Exposure to the model did not affect the level of semantic Stroop interference. However, standard Stroop interference (which includes an inhibitory control component) increased for control participants in the second block, while participants exposed to the model maintained the same level of standard Stroop interference across the two blocks. These results suggest that comparison with an unrealistically high beauty standard facilitates the deployment of inhibitory control over time. The discussion focuses on the potential role of motivation to avoid aversive self-awareness and the associated negative emotions in these effects, as well as their practical implications. 350c69d7ab